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Alumni

Alan McCullough (’02) is currently Co-Producer on Stargate-Atlantis after being credited as Creative Consultant on 40 episodes,  and Exec Story Editing/Story Editor on 40 episodes of "Stargate SG-1".

Pam Davis (’03) is writing for David Shore’s big hit HOUSE.

Aaron Martin (’00) is Showrunning The Session, was Executive Producer/Creator of The Best Years, and wrote a pilot for NBC.

Sean Jara (’00) is Showrunning Urban Vermin for YTV, was Executive Story Editor on Naturally Sadie, and has written for The Latest Buzz.

Rob Sheridan (’01) won the 2008 WGC award for his writing on Corner Gas and is Co-Executive Producer on CBC’s Little Mosque on the Prairie.

Jenn Engels (’05) garnered the highly coveted 2007 Global Television Writers Apprentice Award and worked in the room for the upcoming Less Than Kind with Mark McKinney.

Karen McClellan’s (’03) MOW Bridal Fever was produced for Hallmark Movie Channel by Whizbang Films with Delta Burke as the lead.

Josh Gal (’06) is Story Editor for The Best Years and has written for both Rent-a-Goalie and Billable Hours.

Travis McDonald (’05) is Story Editor for The Listener; was Story Coordinator for Blood Ties and won the 2008 WGC Award for his feature script Normal.

Alex Zarowny (’03) is Executive Story Editor for The Listener, 11 Cameras and Murdoch Mysteries which she also co-developed.

Joseph Kay (’03) was Executive Story Editor/Associate Producer on The Weight and Executive Story Editor on This is Wonderland.

Sean Reycraft (’99) is writing for the upcoming 90210 and has written for Degrassi; JPod; and Slings & Arrows.

Michelle Lovretta (’99) has written several TV movies including To Be Fat Like Me, Playing House, and Hunt for Justice and has also been a writer on Instant Star, Mutant X and Snakes and Ladders.

Virginia Rankin (’99) has worked with CFC TV as an Original Series Consultant for two years and is currently developing two one-hour drama series, Forensic Nurse and Adam First, two half-hour comedies, Star*Suck and Sunny Day Friend, and was Co-Executive Producer on the MOW When Matt Became Jade, Creative Producer for ReGenesis and Producer for The Jane Show.

Laura Kosterski (’98) has been producing Producing Parker, was a writer on MVP, was Creator/Co-Executive Producer of Naked Josh and a writer on Bliss.

Karen Hill (’00) is Executive Story Editor for the upcoming season of G-Spot and has written for Naked Josh, Metropia, Show Me Yours as well as Blue Murder.

Ian Carpenter (’04) is Writer/Creator of The Retreat is currently in development, was Writer/Story Editor on ReGenesis as well as The Best Years and a writer on 11 Cameras.

Shernold Edwards (’03) is Co-Executive Producer and Showrunner for the second season of Da Kink in My Hair, has been Writer/Story Editor for Instant Star and is writing the MOW Backbone: The Maestro Fresh Wes Story.

Mark Haroun (’06) is Junior Story Editor for Heartland, was Researcher/Writer for the travel series Bump! and his original series Get Over It developed through Prime Time was optioned by Force Four Entertainment.

     
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